tag:blogger.com,1999:blog-52753148870527498242024-03-13T07:13:03.902-07:00The Music ChikHi there. I'm the Music Chik. Nice to meet you.Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.comBlogger66125tag:blogger.com,1999:blog-5275314887052749824.post-91744358845636128072015-11-21T10:24:00.004-08:002015-11-21T11:54:40.407-08:00Great Expectations<div class="separator" style="clear: both; text-align: justify;">
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<span style="font-family: "trebuchet ms" , sans-serif;">If you have yet to hear Adele's newest album <i>25</i>, officially released by XL/Columbia yesterday, you're about 10 breakdowns behind the curve. But don't fret, I'll give you the lowdown on the pop princess's long-awaited follow-up to <i>21</i> to ensure you maximize your crying -- er, listening -- time. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Upon hearing "Hello," I was relieved. After four years, Adele delivered a first single that fulfilled her fans' great expectations, showcasing her artistic maturity while capitalizing on the heart-wrenching plot lines that have made her so successful. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">I was anxious to hear the entire album, as I had heard through the music industry grapevine that <i>25 </i>was surprisingly (and disappointingly) "upbeat." I held my breath as I pressed play, rationalizing that Adele's version of upbeat was "Rolling In The Deep." </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Nonetheless, my initial reaction to <i>25 </i>was more concerned than enthralled. I immediately noticed that the collection was kind of, well, <i>lazy</i>. The lyrics, the melodies, the harmonies. Aside from a few noteworthy tracks (listed below), there wasn't a ton of risk. In fact, I bet many of these tracks wouldn't even make <i>Billboard</i> had they been recorded by anyone other than Adele. That's when I had an epiphany. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Adele hasn't made a career belting the best ballads ever written; she's made a career belting ballads in <i>the best way </i>ever recorded, at least in my music lifetime. She has a voice that spans a less-than-human range and the God-given gift to execute that technically perfect voice with deep and inconsolable emotion that people can't help but feel -- a technique that simply can't be taught. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">With that said, I did find an unexpected amount of variety on the album. "All I Ask" is reminiscent of a Broadway ballad, even a bit Stevie Wonder. "Million Years Ago" is a bit Sixties retro, a la Nancy Sinatra. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">My faves? "Love In The Dark," "I Miss You," "Send My Love (To Your New Lover)" and "River Lea."</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">What should you skip? "Sweetest Devotion," "When We Were Young," and "Remedy."</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">PS. If you're looking for the album on Spotify or Apple Music, you won't find it. Adele has joined the ranks of Taylor Swift and Beyonce as one of the only artists of the 21st century with enough leverage to decline streaming services. It's "buy it" or bust. </span><span style="font-family: "trebuchet ms" , sans-serif;">You can preview/buy on iTunes </span><a href="https://itunes.apple.com/us/album/25/id1051394208" style="font-family: 'trebuchet ms', sans-serif;" target="_blank">here.</a></div>
Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-62577798594658383312015-11-04T11:01:00.003-08:002015-11-04T11:39:32.888-08:00The Other Robyn<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "trebuchet ms" , sans-serif;">My avid readers know that I discover much of my new music through nonconventional media. Films, television shows, commercials, coffee shops and more, my Shazam app works harder than the elastic on my leggings post-Thanksgiving meal. And movie trailers are no exception. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">While researching new releases last night, I was excited to see an extended trailer for Carey Mulligan's new release <i>Suffragette</i> (already in theaters) featuring a cover of Fleetwood Mac's "Landslide." Yes, this track has been done too many times to count, covered by everyone from Dixie Chicks to The Smashing Pumpkins. But this one is different.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The best comparison I have to Robyn Sherwell is Imogen Heap. She's dark, breathy, and brooding. Her original tracks are similar to her rendition of "Landslide" -- showcasing the tone of her voice with minimal acoustics. Even her most upbeat and percussion-heavy song, "Islander," highlights her chilling harmonies. </span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">So far, she has just 4 tracks on an EP released this past March (available on iTunes). But if they're any indication of what's to come, move over Swedish Robyn. I have a feeling we're going to be seeing a lot more of this one in the near future.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Her EP can be found on Spotify </span><a href="spotify:artist:6vjYF7rDvsWBtHnPgBmJvs" style="font-family: 'trebuchet ms', sans-serif;" target="_blank">here.</a><span style="font-family: "trebuchet ms" , sans-serif;"> Below you'll also find the </span><i style="font-family: 'trebuchet ms', sans-serif;">Suffragette</i><span style="font-family: "trebuchet ms" , sans-serif;"> trailer and "Islander." </span><br />
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-34738211680033716722015-04-22T20:44:00.000-07:002015-04-22T21:00:32.574-07:00A Soundtrack Fit For A King<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Verdana, sans-serif;">I've always dreaded Sunday evenings. Feeling guilty over how little I've slept that weekend; how much I've eaten; how few hours I've allocated to my studies. Then came "The Royals," and with it, a familiar fondness of English men and a newfound excitement for Sunday nights. </span></div>
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<a href="http://4.bp.blogspot.com/-cxZsUjXIsWk/VTZ6iKOnZUI/AAAAAAAAArc/gr5gyICZZWQ/s1600/the-royals-2-jpg.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"><span style="font-family: Verdana, sans-serif;"><img border="0" src="http://4.bp.blogspot.com/-cxZsUjXIsWk/VTZ6iKOnZUI/AAAAAAAAArc/gr5gyICZZWQ/s1600/the-royals-2-jpg.jpg" height="200" width="200" /></span></a><span style="font-family: Verdana, sans-serif;">As is now customary, networks showcase new music through both scripted and reality programming, a la the second MTV revolution. And "The Royals" -- E!'s first scripted series -- is hitting the mark. If you're a fan of the show, you'll appreciate the darts reference. </span></div>
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<span style="font-family: Verdana, sans-serif;">Only 6 episodes in, the show has already featured some of my favorites, including Panama, Susie Suh, Augustines, Kodaline and Nick Mulvey, and introduced me to who will surely be some of my new obsessions. </span><br />
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<span style="font-family: Verdana, sans-serif;">For a complete soundtrack, follow the show's Spotify playlist "The Royals - Season 1 Music" <a href="https://open.spotify.com/user/eentertainment/playlist/1HBLZkHGdkqSTPK952YDf7" target="_blank">here</a>. It was difficult, but I managed to extract my TOP 10 tracks from the series thus far. </span></div>
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<b><span style="font-family: Verdana, sans-serif;">1. Nick Mulvey - "Fever To The Form"</span></b></div>
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<span style="font-family: Verdana, sans-serif;">If you're not yet obsessed with Nick Mulvey, you clearly haven't listened to his 2014 studio album <i>First Mind</i>. If that's the case, then in the now infamous words of Jennifer Love Hewitt, WHAT ARE YOU WAITING FOR? </span></div>
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<span style="font-family: Verdana, sans-serif;">Insider tip: If you like what you're hearing, check out his cover of Drake's "Hold On, We're Going Home," below. </span></div>
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<span style="font-family: Verdana, sans-serif;"><b>2. Seafret - "Overtime"</b><o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">They
may be young (19 and 22, to be exact), but they sure are talented. This
English (shocker) duo hails from the North East of England. The band's
name is a nod to the North Sea, as "seafret" is a local term defining
the rolling mists that come in off the Sea during summer. That might seem like
useless information, but you never know when it'll come up on Trivia Crack.<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Anyway,
this song is by no means their most popular. In fact, it's not even a single
yet. My sources tell me it will be on Seafret's upcoming album. For now,
watch this less-than-stellar video and trust me. <o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>3. Natalia Kills - "Problem"</b><o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Another Brit, but with gumption. She dropped out
of prestigious LAMDA (the London Academy of Music and Dramatic Art) and signed
with will.i.am Music Group. Perhaps this song is autobiographical, as her sharp
tongue has proved problematic in her professional life. She was fired from her
post as "New Zealand X Factor" judge and mentor after the first live
show for verbally abusing contestants. Doesn't Kills' back story make this song
even cooler? I thought so too. <o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>4. Owl John - "Songs About Roses"</b><o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">Owl
John might be new to the charts, but the man behind the moniker certainly
isn't. Owl John, a.k.a. Scott Hutchison, founded the indie rock band Frightened
Rabbit over a decade ago and has since recorded four albums with the group. The
Scottish singer/songwriter/guitarist released his first solo project this past
August and debuted within the top 100 on the UK Albums Chart and within the top
20 on the Scottish Albums Chart. You go, Owl John! <o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>5. Mickey Avalon - "Rock Bottom"</b><o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">This
song won't be new to most of you (it was released about 4 years ago), so let
this serve as a reminder that songs about drug abuse and prostitution are
timeless. <o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;">OTHERS YOU NEED TO KNOW:<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>6. Elle King - "Ex's & Oh's"</b><o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>7. Little May - "Boardwalks"</b><o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>8. The Pow Pow - "Fill Me Up"</b><o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>9. Laleh - "Speaking of Truth"</b><o:p></o:p></span></div>
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com1tag:blogger.com,1999:blog-5275314887052749824.post-13147399723658416342014-07-09T11:45:00.001-07:002014-07-09T11:45:29.518-07:00Hey Ocean! You're Awesome!<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-6lzYMlqmTks/U72NruJ1zMI/AAAAAAAAAj0/l7jotkOGoH8/s1600/300x300.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-6lzYMlqmTks/U72NruJ1zMI/AAAAAAAAAj0/l7jotkOGoH8/s1600/300x300.jpg" height="197" width="400" /></a></div>
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<span style="font-family: Calibri;">If I were to have the opportunity to
interview Hey Ocean! personally, my list of questions would be extensive,
albeit some trivial. I’d first inquire as to how imperative the exclamation
point is to the band’s persona and how the trio arrived at the name. Second,
I’d ask whether the fact that many of the band’s best tracks (in my opinion) favor
the “water” motif is deliberate or merely coincidental. Finally, I’d probe as
to how, after nine years, three albums, three EP’s, countless tours and yet
almost no attention from the American media, the threesome has the stamina and
fortitude to continue making such feel-good music.</span></div>
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Hey Ocean! is a Canadian indie rock and folk
band from Vancouver. While two of the three members have been friends since
childhood, it wasn’t until they met their bassist that they decided to form a
band. Since 2005, the band has toured Canada widely, performing at music
festivals from Calgary to Montreal. The group’s ethereal sound can be
attributed to its sampling of different genres and incorporation of several
instruments, including the flute. At times, the band’s sound reminds me of
Sufjan Stevens (see “Islands”); at others, the female vocalist resonates a
quirky pop a la Ingrid Michaelson. Regardless of the sound, I’m into it. And it
couldn’t be more perfect for summer. <o:p></o:p></span></div>
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Here are my favorites, all off the band’s
newest album <i style="mso-bidi-font-style: normal;">IS</i>, including a great
cover of “Be My Baby.” <o:p></o:p></span></div>
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-59028300070671020332014-06-12T21:49:00.001-07:002014-06-12T21:51:44.550-07:00The Fault in Our Stars <div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-Ys2cupuVqdw/U5qCg3F3e6I/AAAAAAAAAiY/TQa5yK7EDfU/s1600/MV5BMjA4NzkxNzc5Ml5BMl5BanBnXkFtZTgwNzQ3OTMxMTE@._V1_SX640_SY720_.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://4.bp.blogspot.com/-Ys2cupuVqdw/U5qCg3F3e6I/AAAAAAAAAiY/TQa5yK7EDfU/s1600/MV5BMjA4NzkxNzc5Ml5BMl5BanBnXkFtZTgwNzQ3OTMxMTE@._V1_SX640_SY720_.jpg" height="320" width="216" /></a></div>
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If you're at all familiar with my blog, you've undoubtedly come to expect (and adore) both my side-splitting humor and my uncanny ability to constantly feature attractive band members (it's a talent, really). Thus, I feel it is my duty to caution you: this post is deep. Like, philosophical deep. And if you've read or seen "The Fault in Our Stars," you aren't the least surprised.</div>
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If you're at all familiar with <i>me</i>, you know how much I revere film scores and soundtracks. I've said time and time again that movies and television shows would be emotionless, nay, meaningless without their accompanying music. And while I certainly appreciate a good score (such as that of <i>The Words, Amelie, Coco Avant Chanel, Eternal Sunshine of the Spotless Mind, Atonement, </i>etc.), nothing sends me soaring quite like that cinematic moment in which a character's plight connects so deeply with a singer's voice, as if those two people transcend their dimensions, if just for a moment. One artist, heard but not seen, expressing the pain of another, seen but not heard. In my opinion, it's <i>the</i> most powerful collaboration of media. I could go even deeper into this convention of a "collaboration" by elaborating on how we, ourselves, are collaborating with the artists we see and hear by contributing our own experiences to these evocations, therefore producing reactions that are a culmination of what we acquire and what we reflect... but I won't. </div>
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On to the music. The soundtrack to "The Fault in Our Stars" does not disappoint. It features some of the gods and goddesses of today's indie/emo scene, including M83, Birdy, STRFKR, Grouplove, Lykke Li, Ray LaMontagne and Ed Sheeran. Here are my favorites from the film:</div>
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"Boom Clap" by Charli XCX (featured on the film's trailer)</div>
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"Simple As This" by Jake Bugg</div>
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"Not About Angels" by Birdy</div>
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"All of the Stars" by Ed Sheeran</div>
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"All I Want" by Kodaline</div>
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"Long Way Down" by Tom Odell</div>
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"Without Words" by Ray LaMontagne</div>
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"Wait" by M83</div>
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For more on the film, visit the official website at http://thefaultinourstarsmovie.com. </div>
Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-52694276490849444752014-06-04T13:15:00.000-07:002014-06-04T13:18:04.632-07:00As Seen on TV<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-nEZobfLhGBc/U499vdGpmjI/AAAAAAAAAiI/bSqLDPf5mgg/s1600/551371_10151532633594303_902335890_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"><br /></a><a href="http://1.bp.blogspot.com/-nEZobfLhGBc/U499vdGpmjI/AAAAAAAAAiI/bSqLDPf5mgg/s1600/551371_10151532633594303_902335890_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: justify;"><img border="0" src="http://1.bp.blogspot.com/-nEZobfLhGBc/U499vdGpmjI/AAAAAAAAAiI/bSqLDPf5mgg/s1600/551371_10151532633594303_902335890_n.jpg" height="211" width="320" /></a></div>
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"COME BACK" - David O'Dowda</div>
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There's something simultaneously intriguing and infuriating about a man of mystery like David O'Dowda. About all I know of him is that he is Irish, hails from Manchester, and is absolutely adorable. I became enraptured with his haunting voice when I first saw FX's promo for its new show "Tyrant," and was instantly reminded of that Bon Iver/ James Vincent McMorrow sound I so adore.</div>
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If you've watched even a moment of E! programming this month (right...I haven't either), you're by now familiar with the new promo for "Keeping Up With The Kardashians." Cooper (short for Kate Cooper) is no newbie to the indie music scene. In fact, she fronted an Aussie band called Iron On since 2002, recently going solo and releasing several singles including "Flood" and "Heaviest of Weights."</div>
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"YOU & ME" (Flume Remix) - Disclosure ft. Eliza Doolittle</div>
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If you haven't seen the Lacoste ad entitled "The Big Leap" that features the Flume Remix of Disclosure's "You & Me" yet, do yourself a favor and do so immediately. You've already heard of Disclosure thanks to the band's now top 40 hit "Latch" featuring Sam Smith. And since Disclosure is an electronic music duo (comprised of two English brothers), the two have similarly enlisted Eliza Doolittle's vocals on this track.</div>
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<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/bu2ht9c-FFU" width="560"></iframe>Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-75402747293994286532014-01-27T11:53:00.003-08:002015-04-18T20:47:41.983-07:00GRAMMY'S 2014: Great Expectations<div style="text-align: justify;">
<a href="https://4.bp.blogspot.com/-bKIMdwgmCSU/Uua3SnZ3yCI/AAAAAAAAAe4/QKV_vSNXLkQ/s1600/John-Legend-2014-Grammy-Awards-All-Of-Me-Video-01-2014-01-26.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-bKIMdwgmCSU/Uua3SnZ3yCI/AAAAAAAAAe4/QKV_vSNXLkQ/s1600/John-Legend-2014-Grammy-Awards-All-Of-Me-Video-01-2014-01-26.jpg" height="110" width="200" /></a><span style="font-family: 'Trebuchet MS', sans-serif;">My mom once told me that, if I can't say anything nice, I shouldn't say anything at all. Luckily, my mother has grown to accept my outspoken nature, because I (unfortunately) have very few compliments to pay the Recording Academy, and whoever else is responsible for last night's slumber party. Which do you want first - the good news or the bad? Okay, fine. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">The good news. LL Cool J is somewhat amusing and totally endearing again (as opposed to last year's "funeral" fiasco). He's so endearing, in fact, that he can insult Taylor Swift and provoke a high-five rather than a Kacey Musgraves stare-down. Performance-wise, John Legend reminded us all why he's no "ordinary people" during his performance of "All of Me." Hands down, the best of the night. We were also reminded why Pink is not just a Covergirl, but Superwoman. Yes - completely lame that her team couldn't come up with a new concept from last year's show (or her tours, for that matter); but no less amazing to see her sing live (and so, so well) while hanging upside down from a bed sheet. To then watch her flow effortlessly into "Just Give Me A Reason" with Nate Ruess, hitting her notes with such precision and ease, makes me wonder whether she has bionic lungs. </span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">Keith Urban may be "a little bit country," and Gary Clark Jr. may be "a little bit rock and roll;" but they're both insanely talented guitar players. And if your ears and eyes didn't perk up during their solo, you're, well, a little bit stupid. Carole King and Sara Bareilles were also a perfect match, with their mash-up of King's "Beautiful" and Bareilles' "Brave." </span></div>
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<a href="https://1.bp.blogspot.com/-OWrWZguJfNo/Uua3S74HYII/AAAAAAAAAe0/UfW2FXftt7Y/s1600/showbiz-grammy-awards-2014-beyonce-jay-z.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-OWrWZguJfNo/Uua3S74HYII/AAAAAAAAAe0/UfW2FXftt7Y/s1600/showbiz-grammy-awards-2014-beyonce-jay-z.jpg" height="148" width="200" /></a><span style="font-family: Trebuchet MS, sans-serif;">Now for the bad news. It's become obvious that the Grammy's are trying WAY too hard to pair artists and mix genres in hopes of fabricating a "Grammy moment" or "make history." Yet, that's exactly what the Academy is accomplishing - a fabrication. It is painfully forced and contrived, robbing viewers of the organic experience one desires from a live show. The quintessential illustration of this awkwardness was Miranda Lambert and Billie Joe Armstrong's homage to Phil Everly with "When Will I Be Loved." The harmonies were fine and the song is a classic, but it just didn't work. The same can be said for Chicago and Robin Thicke (although I liked each of their performances individually) and Metallica and Lang Lang. Alternatively, I was pleased with the collaboration between Imagine Dragons and Kendrick Lamar.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><a href="https://1.bp.blogspot.com/-jC5B2eoatoU/Uua3SuxPW7I/AAAAAAAAAe8/gk-ooURjkOI/s1600/Kacey-Musgraves-grammy-winner-ftr.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://1.bp.blogspot.com/-jC5B2eoatoU/Uua3SuxPW7I/AAAAAAAAAe8/gk-ooURjkOI/s1600/Kacey-Musgraves-grammy-winner-ftr.jpg" height="125" width="200" /></a>My biggest let-downs, by far, were Beyonce and Jay Z, and Lorde. Perhaps my great expectations are to blame. But what in the name of single ladies were Bey and her hub thinking by opening the show with "Drunk In Love?" Anything - I mean ANYTHING - would have been better than that, and I'm not even referring to the fact that they tried to procreate a sibling for Blue on national television. I suppose, in hindsight, it set the tone for a four-hour "What is going on?" moment. As for Lorde, meh. Epic disappointment. And while this is certainly not a fashion blog, I feel as though I'd lose credibility if I didn't at least acknowledge Katy Perry's witch costume. Did she buy it at Walgreen's? I mean, really. </span></div>
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<a href="http://1.bp.blogspot.com/-jC5B2eoatoU/Uua3SuxPW7I/AAAAAAAAAe8/gk-ooURjkOI/s1600/Kacey-Musgraves-grammy-winner-ftr.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><span style="font-family: Trebuchet MS, sans-serif;"></span></a></div>
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<a href="http://3.bp.blogspot.com/-yzeGg4Jv60I/Uua4btTniBI/AAAAAAAAAfM/9bdq42DdmAA/s1600/320140126201544001_t607.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-yzeGg4Jv60I/Uua4btTniBI/AAAAAAAAAfM/9bdq42DdmAA/s1600/320140126201544001_t607.JPG" height="135" width="200" /></a><span style="font-family: Trebuchet MS, sans-serif;">To end on a positive note, I'll say that I loved the Academy's use of amateur YouTube-esque covers to introduce nominees. I was also a huge fan of Kacey Musgraves, and it's not (entirely) because of her stank face. The most fun performance of the night was Pharell, Daft Punk and Stevie Wonder's rendition of "Get Lucky," despite its rocky start. Daft Punk's use of "Harder, Better, Faster, Stronger" and "Le Freak (Freak Out)" made the song even more infectious. It was the first time I saw everyone in the audience, old and young alike, get up on their feet and enjoy themselves. It even earned a peace sign from the ever-stylish Yoko Ono.</span></div>
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<a href="http://2.bp.blogspot.com/-KgiXIdRdzHI/URkUqq9CIaI/AAAAAAAAAZI/QUuS8vfBR4g/s1600/Alicia-Keys-Outfit_510x700.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span class="Apple-style-span" style="color: black;"><img border="0" height="320" src="http://2.bp.blogspot.com/-KgiXIdRdzHI/URkUqq9CIaI/AAAAAAAAAZI/QUuS8vfBR4g/s320/Alicia-Keys-Outfit_510x700.jpg" width="232" /></span></a></div>
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<span class="Apple-style-span" style="font-family: Calibri;">I'll admit, I'm a sucker for sentiment. But
when did opening monologues stop being funny? Understandably, LL Cool J had no
opportunity for jokes at last year's ceremony, but spare us the sob story of
your rise to the top and how we still don't know "the real you." Your
"grammy" would be ashamed, and not just because of your insistence
upon wearing paddy hats to possibly the biggest gig you've ever booked...
twice. What I <i>did </i>find touching was his conclusion of the never-ending
whitney-ism with the words "And as your
host, let me tell you all we
are so happy to see you here." </span></div>
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><br /></span></div>
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">Are
you listening, Rihanna? The 55th Annual Grammy Awards started off slow. Ed
and Elton were all wrong for each other. Their harmonies were strange, their
tones blended awkwardly and, at the risk of the glitter gods striking me for
blasphemy, Elton added nothing to the otherwise "A-Team" performance.
Also, is LL hard of hearing? It's SHEERAN, not Sharon. Jeez.</span></div>
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-hansi-theme-font: major-latin;"><o:p></o:p></span><br />
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<a href="http://1.bp.blogspot.com/-AHHQu95VF_4/URkUrMFxfVI/AAAAAAAAAZU/afNJIEPtZCs/s1600/TheLumineers2013GrammyPerformance.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><span class="Apple-style-span" style="color: black;"><img border="0" height="150" src="http://1.bp.blogspot.com/-AHHQu95VF_4/URkUrMFxfVI/AAAAAAAAAZU/afNJIEPtZCs/s200/TheLumineers2013GrammyPerformance.jpg" width="200" /></span></a><span style="font-family: Calibri;">Now let's have some FUN. As a
long-time fan of the boys (they're not <i>actually</i> a new artist,
guys), I am always drawn to the quality and consistency of Nate Ruess' voice. I
began to notice early on in the telecast that artists are trending away from the
medleys that have dominated music award shows for the past decade and back
toward showcasing their singing chops via one solid song. I'd just like to go
on the record and say, I'm into it.</span><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-hansi-theme-font: major-latin;"><o:p></o:p></span></div>
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<span style="font-family: Calibri;">My favorites of the night?
Miguel and Wiz Khalifa's collabo on "Adorn," although I'm still not
sure if that was a performance or award presentation. Mumford and Sons (if you
read my latest post, you know where this is going) were, at the risk of
sounding ig'nant, amaze-balls. I'm obviously biased, </span><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">but how could anyone with even a <i>fractional</i> use of their
five senses find them to be anything but that? </span><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-hansi-theme-font: major-latin;"><o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-4vkgJ8W-VDA/URkUrkXLl4I/AAAAAAAAAZk/yvRfDufgFqI/s1600/justin-timberlake-jayz-grammys.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="212" src="http://2.bp.blogspot.com/-4vkgJ8W-VDA/URkUrkXLl4I/AAAAAAAAAZk/yvRfDufgFqI/s320/justin-timberlake-jayz-grammys.jpg" width="320" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-4vkgJ8W-VDA/URkUrkXLl4I/AAAAAAAAAZk/yvRfDufgFqI/s1600/justin-timberlake-jayz-grammys.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span class="Apple-style-span" style="color: black;"></span></a></div>
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">A question: If <i>I</i> direct HOV to
"get out [his] seat," will he do it? Who said stars can't take
direction!? So incredibly badass of Jay-Z, by the way, to hold on to his liquor
for as long as he could before his presence in the performance proved
absolutely necessary. Maybe it's some kind of badass-by-association, but JT has
never looked better. Marriage clearly suits him (get it? "suits"
him?). While he employed the high register and hip thrusts we all know and
love, the strategic song duo served as a preview of his new album, making
apparent his transition from pop to R&B. </span><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Times; mso-hansi-theme-font: major-latin;"><o:p></o:p></span></div>
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<span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><br />Other faves of mine include the Maroon
5/Alicia Keys live mash-up, the Bob Marley tribute (although Rihanna was
obviously there for visual enhancement), the Lumineers and the In Memoriam
rendition of "The Weight." It will surprise very few that I actually
"yippee-d" aloud the moment i heard the first bar and spotted Zac
Brown. That reaction was propelled by the great Mavis Staples and Brittany
Howard (a-la Alabama Shakes). What a way to go...</span></div>
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<a href="http://1.bp.blogspot.com/-RZKQEBxz4Jw/URkUqtBnwiI/AAAAAAAAAZM/sGcTE9jDzfE/s1600/JackWhite-630-jpg_060844.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="111" src="http://1.bp.blogspot.com/-RZKQEBxz4Jw/URkUqtBnwiI/AAAAAAAAAZM/sGcTE9jDzfE/s200/JackWhite-630-jpg_060844.jpg" width="200" /></a><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">While the tribute came in a close second, my
absolute best performance of the night was, hands-down, Jack White. Thanks,
Jack, for ditching Meg and going a few shades darker. Too far? My biggest
disappointment of the night? Frank Ocean. Bombarded by the "is Frank Ocean
overrated?" statuses this morning via social media, I stand by my man.
You'd be nervous too making your Grammy debut amongst your idols and peers...
and Chris Brown. You'll kill it next time, Forrest. <o:p></o:p></span></div>
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com1tag:blogger.com,1999:blog-5275314887052749824.post-79621139210486303262013-02-08T08:44:00.000-08:002013-02-08T08:44:06.670-08:00Lovers of the Light <span class="Apple-style-span" style="line-height: 20px;"></span><br />
<div class="" style="clear: both; text-align: justify;">
<a href="http://1.bp.blogspot.com/--WgbAygeU_E/URUpCOa_hcI/AAAAAAAAAYU/95w2rfBDbao/s1600/Mumford-28_jpg_630x400_q85.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="125" src="http://1.bp.blogspot.com/--WgbAygeU_E/URUpCOa_hcI/AAAAAAAAAYU/95w2rfBDbao/s200/Mumford-28_jpg_630x400_q85.jpg" width="200" /></a>I<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">t's hard to imagine that, only three short years ago, Mumford and Sons was struggling to finance their own recordings, borrowing instruments if they could, trekking around small venues in the UK and US. Fast forward to Wednesday night, where even an inaudible word uttered under Marcus Mumford's breath could silence a crown of 18,000 hipsters. </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"><br /></span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">Admittedly nervous of the obvious challenges facing a predominantly bluegrass/folk band in such a massive space, it's the understatement of the century to say that I was pleasantly surprised. While the seating capacity is almost identical to New York City's famous MSG, I found the venue exceptionally and simultaneously awe-inspiring and intimate. On second thought, maybe that was just Marcus. Hmm. TBD. </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"><br /></span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">Similar to my views on the previews before a movie, I hate missing the opening acts. I've stumbled upon some amazing bands that way (I also feel badly for the openers playing to half empty stadiums). Last night's openers, however, felt no shortage of love from Mumford's loyal subjects, although my affection was less abundant. Having seen Ben Howard in the cozy Cake Shop-esque setting of New York's Webster Hall, I was equally concerned that his grandeur would be lost amongst the bright lights of Brooklyn. Au contraire mon ami. My only complaint was that his set was entirely too short, singing a few familiars to start, introducing one new song and finishing with fan-favorite "Only Love." While a cynic may be tempted to attribute Ben's spell upon the crowd to the state-of-the-art acoustics of the Barclays, I assure you The Felice Brothers dispelled that theory with the first strums of their guitars. Oh well. I was grateful for the opportunity to grab a square from L&B's and another Heineken. </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"><br /></span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">As one may expect, although the "everybody's doing it" mentality all but precludes my agitation for the practice, Mumford and Sons took the stage just after 10pm. Fine by me, as the proceeding 105 minutes were, well, life-changing. The band played "Babel," "I Will Wait" and "Lover of the Light" early on, bringing each of the 18,000 concert-goers to their leather-booted feet. Other notables include the instrumental leading up to "Thistle & Weeds," "Ghosts That We Knew," "Awake My Soul," "Below My Feet," and, of course, "Little Lion Man." When the boys were up, the energy was almost uncontainable. When they were down, you could hear a pin drop. Marcus Mumford exudes rock and roll stature in his every move -- rotating instruments with ease and pulling out his ear pieces in one swift, hasty movement just before reaching a song's poignant moment. Perhaps it is this almost supernatural command over the crowd that has managed to carry the boys from anonymity to the world's biggest selling rock band in record time. </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"><br /></span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">A final comment on the visuals. Even the most jaded New Yorker from Times Square would have been impressed with the lights strung across the stadium, changing color per song in perfect sync. The vibrant stage complimented the four stark, documentary-style black and white jumbo screens directly above it. The boys' seamless transition into a straight row by the end of almost every song illustrated a chilling "united we stand" motif. After all, the other boys deserve some face time too. </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">The icing on the cake were Marcus' praises of New York crowds, admitting that he only has one friend in New York. I find that hard to believe, but on the off-chance that it's true (and that Marcus Mumford is reading), I know where they keep the good pizza. (Wink wink). </span><span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">Mumford and Sons is playing the Barclays again this coming Tuesday ... ya know, if you happen to have a first-born child to spare on a ticket. </span></div>
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<a href="http://4.bp.blogspot.com/-tTqqrIfd5VY/URUpCQx9DwI/AAAAAAAAAYc/qHjd8p-8nu0/s1600/Mumford_Sons_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: justify;"><img border="0" height="200" src="http://4.bp.blogspot.com/-tTqqrIfd5VY/URUpCQx9DwI/AAAAAAAAAYc/qHjd8p-8nu0/s400/Mumford_Sons_1.jpg" width="400" /></a></div>
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-2025196737939405782013-01-15T07:41:00.000-08:002013-01-15T07:41:50.716-08:00SON of Anarchy <div class="separator" style="clear: both; text-align: center;">
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<a href="http://3.bp.blogspot.com/-xsydiUC6Sug/UPQ0W9Xw52I/AAAAAAAAAX0/WsDjBf8iLkw/s1600/joshua-james-photo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="132" src="http://3.bp.blogspot.com/-xsydiUC6Sug/UPQ0W9Xw52I/AAAAAAAAAX0/WsDjBf8iLkw/s200/joshua-james-photo.jpg" width="200" /></a>Are you a "Sons of Anarchy" fan? Yeah, me neither. But I <i>am </i>a fan of the show's soundtracking. More accurately stated, I am OBSESSED with Joshua James. Combining elements of Bob, Amos and Ray (and bearing a strange resemblance to Jared Leto), Joshua personifies a manifestation of all my favorite men. His late 2012 release, <i>From the Top of Willamette Mountain, </i>provides an intense aural experience -- and his first single, "Queen of the City," is, well, nothing short of an "aur-gasm." </div>
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<a href="http://2.bp.blogspot.com/-rSzJpHXWj6c/UPQ0W5uLkMI/AAAAAAAAAX4/zjQW8i3TpwU/s1600/jj_buildmethis.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><img border="0" height="200" src="http://2.bp.blogspot.com/-rSzJpHXWj6c/UPQ0W5uLkMI/AAAAAAAAAX4/zjQW8i3TpwU/s200/jj_buildmethis.jpg" width="200" /></a></div>
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Hardly a rookie, Utah's Joshua James has been at it for almost a decade, opening North American tours for notables like John Mayer, Ani DiFranco and Third Eye Blind, among others. While his first single exemplifies an edgier rock sound, the majority of the album builds upon the folky gospel vibe so prominent in his earlier work. Regardless of the genre, the content is always consistent: the stuff of great blues -- drinking, drugs and deities. My favorites on this album are too abundant to name. Do yourself a favor and just buy the entire album; it will be the best $9.99 you spend this year. If you're feeling particularly spendy, add his <i>Build Me This </i>(including "Coal War," below) to your cart. </div>
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<a href="http://www.joshuajames.tv/" target="_blank">http://www.joshuajames.tv/</a></div>
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<br />Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-56565149501925923502013-01-05T12:47:00.002-08:002013-01-05T12:47:44.206-08:00Won't you be their Neighbour? <div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="font-family: inherit;">While clearly influenced by its home state's summer vibe, The Neighbourhood's EP <i>I'm Sorry </i>is anything but seasonal. The California quintet is brand spankin' new, with the May 2012 release its first (hopefully, of many). </span><br />
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<span class="Apple-style-span" style="font-family: inherit;">I know what you're thinking, but The Neighborhood isn't your typical collection of West Coast misfits with "pumped up kicks" trying to surf its way onto your iTunes with tired indie beats. Rather, front man Jesse Rutherford's experience in heavy metal bands and hip hop groups since the age of 13 give The Neighbourhood its obvious edge. Of his influence, Rutherford says "<span class="Apple-style-span" style="line-height: 21px;">It happens very naturally, when I write while I am rapping over the melody." </span>With this combination of pop, rock, hip hop and music videos that pay homage to film noir, the boys have earned a Neighourhood watch. </span><br />
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<span class="Apple-style-span" style="font-family: inherit;">You may recognize the band's first single, "Sweater Weather," although it was undoubtedly underplayed in most summer 2012 rotations. That video, as well as my other favorite "Female Robbery," are below for your viewing pleasure. </span><br />
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<span class="Apple-style-span" style="font-family: inherit;">My New York friends: if you like what you hear, the band is playing two shows mid-January. What's even more exciting than that? A ticket to see the band will cost its "hoodlums" less than their cab fares at an astonishing $12 a pop. Click <a href="https://www.facebook.com/TheNeighbourhood/app_123966167614127" target="_blank">here</a> for more info. </span><br />
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<a href="http://thenbhd.com/letitgo/" target="_blank">http://thenbhd.com/</a></div>
<br />Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-91202145275960265342012-12-28T09:24:00.000-08:002012-12-28T09:25:07.793-08:00Know(les) it all<div class="separator" style="clear: both; text-align: justify;">
<a href="http://3.bp.blogspot.com/-XXfLKn4loP8/UN3UmqMROjI/AAAAAAAAAWE/8A77rviTX6g/s1600/Solange-Knowles-Madewell-Fall-2012-4.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="http://3.bp.blogspot.com/-XXfLKn4loP8/UN3UmqMROjI/AAAAAAAAAWE/8A77rviTX6g/s200/Solange-Knowles-Madewell-Fall-2012-4.jpg" width="151" /></a>Finally, a Knowles I can stomach. Stuck in the role of "little sister" to glamazon Beyonce Knowles, Solange's accomplishments may seem to have gone unacclaimed and unnoticed. At the ripe ol' age of 26, however, she has released two albums with major labels, been signed by Next Model Management, been nominated for Celebrity DJ of the Year by The Golden Spin Awards, appeared in several films and television shows, and been honored by the American Society of Culture Critics for her contributions to music and fashion. Chew on that, big sis. She's also gotten married, had a child, and been divorced. But I'm not sure that fits into the "accomplishment" category. </div>
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Her latest release, EP <em>True,</em> is the first EP for the singer and her first release under the indie label Terrible Records. Consider it an amuse-bouche to the artist's third studio album, currently in progress. In any case, don't fret -- the first single off <em>True </em>should tide you over. Solange has finally discovered her sound. Who would believe that her sound ended up being a revisit to eighties new wave? Call me an '80's baby all you want -- I'm into it. Lucky for us, she not only found her sound, she lost her pants. With legs like hers, you won't hear me complaining. I just wonder how the locals of Cape Town felt about it...</div>
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<em>True </em>is available digitally as of November 27th and set for CD/vinyl release on January 8th. </div>
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Happy New Year all. May 2013 bring you sweet love and great music. </div>
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-61235109455367798972012-11-20T07:41:00.001-08:002012-11-20T20:00:01.339-08:00Happy 40th, AMA's.<div style="text-align: justify;">
<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">Sure, it's no Grammys. But after 40 years, the American Music Awards has undeniably made an impression on the industry's landscape. Following the format of 2012's Grammys, the telecast was reminiscent of an IHeartRadio concert, sporadically interjected by the presentation of an award. Strange, considering each category showcased only three artists (are we running out of nominees?). The direct result? A show lacking the drama, substance and wardrobe malfunctions we all anxiously await with our thumbs on the "pause" button of our DVR remotes. An indirect result? A very happy Music Chik. </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">As Julie Andrews once sang, the beginning is "a very good place to start." Apparently, the AMA's thought that a good place for Usher as well. I disagree. At the ripe ol' age of 34, Usher struggled to get through the middle of his montage, running out of steam enough to prompt the back tracks on the last leg. Similarly, seeing Ryan Seacrest from the "get-go" almost made the AMA's a "no-go" for me like, say, every New Year's Eve special, Top 40 countdown or red carpet pre-show hosted by the media mogul. Appropriate given his involvement in pop music but predictably bland in his presentation.</span><br />
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">I feel compelled to organize my thoughts by way of "hits" and "misses," and in the spirit of tradition, I'll give you the bad news first. The "Everyday Birthday" dedication made by Swizz Beatz, Chris Brown and Ludacris was, well, ludicrous. Talk about a gag gift. Pitbull's performance was (pun intended) the icing on the stale, dry cake. The biggest disappointment for me, however, was Kesha's rendition of "Die Young" -- not because she gave a lackluster or talentless performance (eh-swizz beatz-hem) -- but because she is <i>better</i> than that. What many may not realize is that, underneath all that "garbage glam," is some legitimate vocal talent. Don't believe me? If Kesha had sung it this way, absent the naked men, fishnets and stage-floor gyrations, you would. </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">Now for the good news. I have a newfound respect for (and teenage girl crush on) The Wanted after their performance of "I Found You." Nathan Sykes' rock star-worthy solo blew my socks off (to put it PG) and threw The Wanted to the top of my wish list. Santa, can you hear me? See for yourself... </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">As for the rest of Sunday's pro's, I'll put it simply. Pink showcased her insane post-baby bod, athleticism and grace, and thoughtfulness in her artistic expression, albeit a bit vividly for an internationally syndicated telecast. I was pleasantly surprised by Taylor Swift's non-acoustic, sans-peasant dress performance, as well as Justin Bieber's stool-set ballad intro. What's the lesson here? Think outside the box and keep people guessing (regarding your performance choices, not your posse choices). </span></div>
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"><a href="http://4.bp.blogspot.com/-sZnUZwtiZgw/UKujDSIDaEI/AAAAAAAAAUg/I2POynYQ5FM/s1600/mc_hammer_psy_ama.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="107" src="http://4.bp.blogspot.com/-sZnUZwtiZgw/UKujDSIDaEI/AAAAAAAAAUg/I2POynYQ5FM/s200/mc_hammer_psy_ama.jpg" width="200" /></a>On a final note, Stevie Wonder's Dick Clark dedication was the highlight of the evening; that is, until the finale. Who could dream that the most glamorous and talented (I use those terms loosely) musicians of our generation could all look so ridiculous at the same time (besides every female songstress who thought a Beyonce bodysuit mandatory)? That, my friend, is truly the definition of "too legit to quit." </span></div>
Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-8030567108736610962012-10-19T14:04:00.001-07:002012-10-19T14:10:02.357-07:00It's Better with the Bahamas<div class="separator" style="clear: both; text-align: center;">
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Okay, it may not be the Bahamas you're thinking of, but Afie Jurvanen is just as hot (and far more accessible). Born and based in Toronto, Afie's part of an elite social circle, with friends like Kathleen Edwards, Jack Johnson, Feist and Ryan Adams. While not all Canadian-bred, musicians like Johnson are flocking to Toronto, creating a prominent music scene similar to that of Seattle or Brooklyn.<br />
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What I love about Afie (besides the obvious) is his composure and control. His guitar skills are strong and his voice smooth -- the perfect storm of sexy. On this EP, try tracks like "Montreal," "Never Again" and "Overjoyed" to satisfy your acoustic cravings. More rock are "Caught Me Thinking" and "Okay Alright I'm Alive." The obvious front runner, however, is the bittersweet "Lost in the Light," a song, Afie admits, is about "the death of a relationship." I'd never let you go, Afie...</div>
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-84380228979574704612012-10-12T16:11:00.000-07:002012-10-13T05:28:24.626-07:00Girl, Uninterrupted<div class="separator" style="clear: both; text-align: center;">
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Admittedly a bit late on the uptake, but I bet most of you, too, are DeVotchKa virgins. How I've gone all these years sans the musical stylings of the Denver, Colorado quartet is beyond me. Incorporating instruments that you probably can't even pronounce (dare you to say "bouzouki" five times fast), even the band's name is fun to say. DeVotchKa, a derivation of the word "girl" in Russian, has been at it for quite some time -- since 1997, to be precise. The band can attribute its humble beginnings to the vivacious crowds of underground burlesque and the loyal subjects of the genre's reigning queen, Dita Von Teese, with whom the members toured nationwide. </div>
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Fortunately for the DeVotchKa crew, they elevated above ground and to greener pastures, nabbing an Oscar nod for the <i>Little Miss Sunshine </i>soundtrack (the majority of which the band scored). We may have glazed over the praise-worthy compilation -- and who can blame us after Abigail Breslin "Super Freak"-ed her way into the musical memory of the film -- but the Academy Awards sure didn't. Similarly, the band's sound has been recognized by the producers of "Everwood," "Weeds," the Bonnaroo Music Festival, the Grammy Awards and Billboard. </div>
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The hardest part about loving this band is attempting to describe it to others, especially because of its eclectic sound. Described by some as "gypsy folk," the band reminds me a bit of Mariachi El Bronx at times (like on "Contrabanda" and "Along the Way" for example), The Drifters ("Somethin' Stupid") and even The Killers / Bruce Springsteen ("All the Sand in All the Sea;" "The Last Beat of My Heart;" The Alley"). And while the aforementioned tracks are among the top of my list of DeVotchKa tunes, the hands-down fav seems to be the oldie but great-ie "How It Ends." Try to keep your composure; it's quite melancholy. </div>
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Near the West Coast? DeVotchKa is touring close to home through the month. Info at its site below.<br />
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-22093130048948256472012-10-10T08:59:00.004-07:002012-10-13T05:32:48.820-07:00Sundrenched Everywhere<div>
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We all know that I'm an alternative rock groupie (anyone else feel compelled to organize a sit-in at the WRXP studios in protest of its switch-over to WFAN?). What you may be unaware of is the newly launched <a href="http://www.InvenioMusic.com/">www.InvenioMusic.com</a>, which may just be my new vehicle for new music. Described by HartfordBusiness.com as "<span class="Apple-style-span" style="line-height: 18px;">music social network that combined elements of American Idol and YouTube," the site gives aspiring artists a platform to enter contests, get feedback and achieve exposure and prizes. </span></div>
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<span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="line-height: 18px;">Thanks to Invenio, I've discovered the Connecticut-bred quartet Echo & Drake and what has become my sleep-song serenade. Check out the band's "Morning Dove," below. While you're at it, try "Sundrenched Elsewhere," the title track from the band's late-2011 debut, as it is Invenio Music's recent "Original Song Winner." Looking for a reference? Think Snow Patrol meets The Cure meets Phoenix. </span></span></div>
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<span class="Apple-style-span" style="line-height: 18px;"><span class="Apple-style-span" style="font-family: inherit;"><a href="http://www.echoanddrake.com/music/">http://www.echoanddrake.com/music/</a></span></span></div>
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<span class="Apple-style-span" style="line-height: 18px;">Feel like celebrating? Join the site's creators and yours truly at the site's launch party tomorrow at NYC's Session 73 at 8pm. Comment for more details. </span></div>
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com1tag:blogger.com,1999:blog-5275314887052749824.post-42941109495580286272012-10-04T21:12:00.000-07:002012-10-05T21:46:39.635-07:00Minor Glimpse of Major Lazer<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-wlJm3vxwaeU/UG5dZQbbR-I/AAAAAAAAARs/TJf9e19onxA/s1600/Major-Lazer.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="170" src="http://2.bp.blogspot.com/-wlJm3vxwaeU/UG5dZQbbR-I/AAAAAAAAARs/TJf9e19onxA/s200/Major-Lazer.jpg" width="200" /></a></div>
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<span class="Apple-style-span" style="font-family: inherit;">The good news is -- after three long years -- Major Lazer has finally announced the upcoming release of its second studio album <i>Free The Universe. </i>The bad news? The Diplo project announced the album's delay shortly after, as the original November 6th date has now been pushed back to February 19, 2013. Lucky for us, it gave us a little taste to whet our appetites. An appropriate amuse-bouche for what is sure to be some scrumptious musical sustenance, as this is a compilation of the industry's finest. Featuring collaborations with Vampire Weekend's Ezra Koenig, Tyga, Bruno Mars, Wyclef Jean, Shaggy, Wynter Gordon, Dirty Projectors' Amber Coffman (on "Get Free") and others, the guest list is impressive. Check out the first single from the album below. </span></div>
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<span class="Apple-style-span" style="font-family: inherit;">Unfamiliar with the brainchild of Diplo (and formerly, of Switch)? You're more familiar with its work than you think. Have a listen to "Pon de Floor" ft. Vybz Kartel (also below). Ring a bell?</span></div>
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Major Lazer is playing Bowery Presents' Terminal 5 in New York on October 27th if you're looking for an excuse to start your Halloween boozing a few days early. Tickets and other info at the website below.</div>
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<span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="color: #222222; line-height: 24px;"><a href="http://majorlazer.com/">http://majorlazer.com/</a></span></span><br />
<span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="color: #222222; line-height: 24px;"><br /></span></span><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="color: #f3f3f3; line-height: 24px;">In memory of MS.</span></span></div>
Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-5911297529971703532012-08-19T12:55:00.001-07:002012-08-19T13:07:12.661-07:00The Beat Goes On...<div class="separator" style="clear: both; text-align: justify;">
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<span style="font-family: "Trebuchet MS", sans-serif;">Thus the time dreaded by middle-schoolers and adults alike is upon us: the end of summer. And while I maintain that there is nothing quite like listening to the feel-good sounds of Bob Marley or Michael Franti and the like with a cold beer on a summer's eve, the cool mornings and clear nights are a change welcomed by all those ready to part with the thick air and thunderstorms characteristic of August in New York. Still, most of us drudge into fall with a teary eye on summer in our rear view. How do I cope with this inevitable parting? I relish in the tunes that make the transition of seasons a little bit easier. Here are a few that strike me as uniquely autumn.</span></div>
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<span style="font-family: "Trebuchet MS", sans-serif;"><strong>1. Crystal Fighters - "AT HOME"</strong></span></div>
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<span style="font-family: "Trebuchet MS", sans-serif;">One of the more recently released singles off the band's debut album <em>Star of Love</em>, this group describes its music as "fast, mesmeric and passionate." Frankly, sometimes that staccato rhythm works (see below) and sometimes, well, not so much (see "I Love London," off the same album). Either way, there's no denying that Crystal Fighters provides a great work out soundtrack. Run faster, bitch.</span></div>
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<span style="font-family: "Trebuchet MS", sans-serif;">With only this single to its name, this band has proven quite elusive. We know that "Animal" was released under the French Indie Label deBonton and that the group has perhaps a handful of songs to boast as of yet. More importantly, however, we know that this song kicks ass. See for yourself and have a listen.</span></div>
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<span style="font-family: "Trebuchet MS", sans-serif;">True that two wrongs don't make a right, but Xaphoon Jones proves that two olds make one badass new. Jones mashes Jackson 5's "I Want You Back" and Passion Pit's "Sleepyhead" to create a sound that's oh-so-September. </span></div>
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<span style="font-family: Trebuchet MS;">At this point, we're all relatively familiar with this Iceland gem and their wildly successful single "Little Talks." My guess is, however, that you're just about sick of it and looking for something new from the group to stimulate your senses. Try this.</span></div>
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<span style="font-family: "Trebuchet MS", sans-serif;"><strong>5. SKTRKT feat. Little Dragon- "WILDFIRE"</strong> </span></div>
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<span style="font-family: Trebuchet MS;">Have you ever heard of an artist who is uncomfortable with attention? Me neither. Until now. A project founded by Aaron Jerome, this DJ/producer utilizes an alias and native masks to promote anonymity. His reasoning? "Let the music speak for itself." Amen brother.</span><br />
<span style="font-family: Trebuchet MS;">(Thanks, MS). </span><br />
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Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-21568623041731016192012-07-30T18:19:00.003-07:002012-07-30T18:23:25.860-07:00Blame It On My ADD, Baby.<div class="separator" style="clear: both; text-align: center;">
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If at first you don't succeed... well, you know how that ends. Just ask Aaron Bruno, face and founder of AWOLNATION, formerly of the bands Under the Influence of Giants, Hometown Hero and Insurgence. Awolnation's single "Sail" is making big waves in the alternative rock community with the return of New York's "New Rock" station, 101.9 FM (apologies to my less-than-local readers for the nonsensical reference). Regardless of your proximity to the Empire State, however, you may still be familiar with the band, as its music has been featured on everything from a BMW commercial to "House" to "Sons of Anarchy," even a Portuguese Nokia LTE commercial. Released in March of 2011, "Sail" has now gone Platinum in the US and double-so in Canada. </div>
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The title of Awolnation's debut album, <em>Megalithic Symphony</em>, pretty much gives it away at the go. Listening to this album in its entirety seems as if intended to provide an all-inclusive, transcendent experience, beginning with an almost-instrumental title track that spans less than a minute to a grand finale "Knights of Shame" reminiscent of Queen's "Bohemian Rhapsody" -- not in style or composition -- rather, in its length and constant evolution. The 12-minute song acts as a sort of summary of the album as a whole, showcasing the band's eclectic sound. Some of my other favorites include "All I Need" and "Kill Your Heroes." Like what you hear? Catch the guys on their US tour this Fall with (one of my absolute favorites) Imagine Dragons. Website's below for more info...</div>
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<a href="http://awolnationmusic.com/" target="_blank">http://awolnationmusic.com/</a></div>Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-11841154309649733112012-07-15T11:40:00.000-07:002012-07-15T11:40:38.201-07:00The Ultimate Primadonna Girl<div class="separator" style="clear: both; text-align: justify;">
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<a href="http://3.bp.blogspot.com/-U8qifcVfTuo/UAMKHB-vQHI/AAAAAAAAAQI/LgwmYovK77M/s1600/Marina-3-marina-and-the-diamonds-31211945-500-600.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://3.bp.blogspot.com/-U8qifcVfTuo/UAMKHB-vQHI/AAAAAAAAAQI/LgwmYovK77M/s200/Marina-3-marina-and-the-diamonds-31211945-500-600.jpg" width="166" /></a>I've found the next big thing to hit the USA, and fortunately for...well...everyone, it doesn't consist of prepubescent boys. Meet Marina Diamondis, dubbed Marina & The Diamonds thanks to the translation of her Greek surname. While her stagename may be a bit of a misnomer, the act consists solely of the singer-songwriter: no band; no group. The diamonds, she explains, are her fans. In that case, I'm declaring myself Marina's Number One "diamond." <br />
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<a href="http://3.bp.blogspot.com/-P9MjSWLKwk4/UAMKpixfQ3I/AAAAAAAAAQo/G6SB6ZWhqeM/s1600/marina-and-the-diamonds_02_446.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="112" src="http://3.bp.blogspot.com/-P9MjSWLKwk4/UAMKpixfQ3I/AAAAAAAAAQo/G6SB6ZWhqeM/s200/marina-and-the-diamonds_02_446.jpg" width="200" /></a>Born and raised in Wales, Marina moved to the UK at the age of eighteen to pursue a music degree. Although she dropped out after only a few semesters, she credits her being "delusional with drive" for her success, as she was signed by Warner Music Group in 2009, released her debut album <em>The Family Jewels</em> in 2010 and nabbed several international music awards before her sophmore album <em>Electra Heart</em> debuted at number one in the UK and Ireland in April 2012.</div>
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<a href="http://3.bp.blogspot.com/-cb02kAA8gRQ/UAMKKi_qLCI/AAAAAAAAAQY/iotghhjho-8/s1600/music_marina_and_the_diamonds_0022.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="129" src="http://3.bp.blogspot.com/-cb02kAA8gRQ/UAMKKi_qLCI/AAAAAAAAAQY/iotghhjho-8/s200/music_marina_and_the_diamonds_0022.jpg" width="200" /></a>Even more appealing than her obvious talent (she penned every song on the album, you oughta know) is her style. When asked to sum up her look in three words? "Vintage, cheerleader and cartoon," said Marina. With her new album came a new image, an evolution from brunette Euro edge to blonde Hollywood glamour. Perhaps we can attribute her time spent in Los Angeles for the transformation; perhaps her adoration of Blondie, Gwen Stefani and Madonna. Either way, we're on board, as was Max Factor when it made Marina their new poster girl last winter. </div>
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It's difficult to find a single song on this album <em>not</em> worthy of playing on loop, but if I had to choose my faves, they would be "Bubblegum Bitch," "Lies" (check out the acoustic version of this one), "Homewrecker," "Power & Control," and of course, "Primadonna Girl." </div>
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<br /></div>Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-34131108604990428792012-07-05T13:29:00.001-07:002012-07-11T11:01:57.091-07:00Good Thing for Good Old War<div class="separator" style="clear: both; text-align: justify;">
<a href="http://2.bp.blogspot.com/-ob_hkm-Fab0/T_XzsiD8jrI/AAAAAAAAAP8/QHqkvsu51u8/s1600/GOW-promo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://2.bp.blogspot.com/-ob_hkm-Fab0/T_XzsiD8jrI/AAAAAAAAAP8/QHqkvsu51u8/s200/GOW-promo.jpg" width="96" /></a><a href="http://2.bp.blogspot.com/-ob_hkm-Fab0/T_XzsiD8jrI/AAAAAAAAAP8/QHqkvsu51u8/s1600/GOW-promo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a>In the spirit of the Fourth, it's only fitting that I declare my independence from the UK sound of which I've grown so fond and celebrate some good old American boys for a change. Meet Keith, Daniel and Tim -- the combination of whom produce the Philadelphia feel-good folk band Good Old War. Its third album since the band's formation in 2008, <em>Come Back As Rain</em> was released this past March and features songs that effortlessly soundtrack the summer months. </div>
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<br />On first listen, Good Old War may remind you of Fleet Foxes thanks to the boys' Sixties-esque vocal harmonies or Mumford and Sons as they manage to incorporate accordian into quick, staccato beats, yet their sound is remarkably different. From the new release, try "Amazing Eyes" (featured below), "Not Quite Happiness," "Can't Go Home," "Over and Over," "Touch the Clouds (Taste the Ground)," "After the Party" and "Loud Love."</div>
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<br />From those past -- which exhibit a more percussion-driven and upbeat sound -- give "Coney Island," "Making My Life," and "My Own Sinking Ship" a listen. </div>
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<a href="http://www.goodoldwar.com/" target="_blank">http://www.goodoldwar.com/</a></div>Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-74967663932077722062012-06-26T10:39:00.001-07:002012-06-28T12:27:58.993-07:00Before You TiVo...<div class="separator" style="clear: both; text-align: justify;">
<a href="http://1.bp.blogspot.com/-HUojYsxjs0o/T-n1g-lIB6I/AAAAAAAAAPo/O_qKM02n5R8/s1600/television.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="http://3.bp.blogspot.com/-zOZMM93yz5M/T-n2BIDMs2I/AAAAAAAAAPw/MFD_3BA508Y/s1600/3245498261_093141423b.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="133" src="http://3.bp.blogspot.com/-zOZMM93yz5M/T-n2BIDMs2I/AAAAAAAAAPw/MFD_3BA508Y/s200/3245498261_093141423b.jpg" width="200" /></a>While this is surely not a social commentary on the poor habits and expectations of what has been dubbed "Generation Y," or the technology generation, it is no secret that we are characterized in part by our need for instant gratification. How can I make such a harsh generalization, you ask? By a show of hands, how many of you have DVR? See, that's how. But you may want to think twice before you hit the fast foward button, for commercials are often an amazing vehicle for new and moving music. Years later, I carry with me a memory of a Nike "Courage" commercial featuring "All These Things That I Have Done" by the Killers and swoon. Here are some artists worth watching in real time.</div>
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<strong><span style="font-size: large;">M83</span></strong><br />
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Red Bull recently released its "World of Red Bull" commercial, featuring clips from Red Bull Media House's own snowboarding flick "The Art of Flight." Both feature M83's "Outro," an epic ode to dark, celestial electronica. The brain child of French musician Anthony Gonzalez, M83 has been making music since 2001, but has only recently gained transatlantic notoriety with its first double-album <em>Hurry Up, We're Dreaming</em>, thanks to the album's first single, "Midnight City." </div>
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<a href="http://www.ilovem83.com/" target="_blank">www.ilovem83.com</a></div>
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<strong><span style="font-size: large;">ALEX CLARE</span></strong><br />
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This British Jewish singer-songwriter earned his big break on US soil when his track "Too Close" was featured in Internet Explorer 9's 2012 ad campaign. His contagious beats tinker between soul and dubstep, covering almost everything in between. What's more are the startling honesty and accuracy that make his lyrics so poignant, penning phrases like "Maybe it's another chance/ To mug myself again ... I'm sure I'll fuck things up in the same way." </div>
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<a href="http://www.alexclare.com/" target="_blank">http://www.alexclare.com/</a></div>
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<strong><span style="font-size: large;">THE LUMINEERS</span></strong><br />
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This trio hails from Denver, Colorado and is finding success with their debut, self-titled album. Featuring instruments such as the cello and mandolin, the band's sound tends to err on the side of sweet, piano-led melodies; however, "Ho Hey" showcases the unrestrained folk rock Americana sound the band is so capable of. While I placed the commercial below for your reference, I encourage you to watch the official "Ho Hey" video, as Bing's version simply doesn't do the track justice. </div>
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<a href="http://thelumineers.com/">http://thelumineers.com/</a></div>Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-37278366370359648812012-06-09T10:54:00.001-07:002012-06-09T10:54:29.097-07:00Into The Fame<div class="separator" style="clear: both; text-align: justify;">
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<a href="http://1.bp.blogspot.com/-NEbLXcQnSww/T9ONXrWxP6I/AAAAAAAAAPc/5j1lkXXCd50/s1600/2250.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="http://1.bp.blogspot.com/-NEbLXcQnSww/T9ONXrWxP6I/AAAAAAAAAPc/5j1lkXXCd50/s200/2250.jpg" width="200" /></a>My friends say I fall in and out of love often and easily. While I doubt and resent that statement slightly, it couldn't be more accurate when it comes to my love affairs with music. My infatuation with -- nay, feelings for -- Matt Corby are deep and true, if I may get a bit "Hemmingway" for a moment. And when someone feels a love this strong, it's only natural that I wish others feel the same. And I guarantee you will. <br />
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This Aussie is only 21 years old, yet he has a voice that is as raw and emotion-filled as it is controlled. Moving between registers and octaves with ease, one is almost thrown aback by his intense focus while singing as he strums gently, then forcefully, at his guitar. What's even more endearing than his sweet smile and heartfelt lyrics is what translates as a lack of confidence before and after he performs each song. When live, he looks down humbly, noticeably nervous, as his fingers find their place. When he's through, he finally looks back up at a crowd so intoxicated by him with a boyish charm and humble demeanor as if to ask "What did you think? Be honest." One would never believe that his career began after his almost-win on 2007's<em> Australian Idol</em> when he was only 16, although one might believe it once one sees how unfairly good-looking he is. </div>
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Having released four EP's over the past 2 years, it would be accurate to describe much of Corby's music as "bluesy," pensive and accoustic, yet his first single from<em> Into The Flame</em>, released this past April in the US, is anything but subdued. Listen to "Brother," undoubtedly the song with which Matt courted me so quickly and effortlessly, and let yourself fall fast in love with him as I have. </div>
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Others I love from this and past EP's include "Letters," "My False," "Big Eyes," "Made of Stone," "Coloured Stones and Walls," and "Lighthome." I also posted what has surely become my favorite cover of any The Black Keys song. Watch it. </div>
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<a href="http://mattcorby.com.au/">http://mattcorby.com.au</a></div>Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-48745062066678247042012-06-02T13:36:00.001-07:002012-06-02T13:44:39.060-07:00Sandé Days Are Here To Stay<div class="separator" style="clear: both; text-align: justify;">
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<a href="http://4.bp.blogspot.com/-Mj7k-NNNXwE/T8p3pxsz9nI/AAAAAAAAAPQ/YpATO7jb0Dw/s1600/EmeliSandeMusicClubSoul2012340x380.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="178" src="http://4.bp.blogspot.com/-Mj7k-NNNXwE/T8p3pxsz9nI/AAAAAAAAAPQ/YpATO7jb0Dw/s200/EmeliSandeMusicClubSoul2012340x380.jpg" width="200" /></a>Still think that women with brains, beauty and a badass demeanor are a modern day myth? Then try Emeli Sandé on for size, smartass. Weighing in at a mere 24 years, Emeli already has quite the impressive resume, including four years towards an MD. Discovered at age 16, her manager "waited patiently" for her to explore her education, as Emeli was adamant towards having a fall-back. Uh, Emeli? While I respect your desire to exercise your God-given intellect and your beyond-your-years insight, it doesn't look like you'll be becoming Dr. Adele Emeli Sandé anytime soon. Great for us. Bad for Glasgow. <br />
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Not impressed? How about her laundry list of writing credits? Following a Ne-Yo-esque path, Emeli has written songs for Cher Lloyd, Susan Boyle, Leona Lewis, Cheryl Cole and Tinie Tempah, to name a few, before signing with EMI/Virgin in 2010. Her debut album <em>Our Version of Events</em>, released this past February,<em> </em>has made Emeli a bonafide Top-40 artist in the UK. Be that as it may, she is news to us. And we need some good news here in the States, no? </div>
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This album certainly brought good news to Sandé, as it earned her the 2012 BRIT Awards "Critic's Choice" Award. Need a reference? Think Alicia Keys meets Annie Lennox, although I compare her sound hesitantly. It's all Emeli. Listen to the first three singles released in the UK -- "Heaven," "Daddy" and (my favorite) "Next to Me," (below, for your viewing pleasure). While you're at it, listen to Tinie Tempah's "Let Go" featuring Ms. Sandé (also below). </div>
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<a href="http://us.emelisande.com/">http://us.emelisande.com/</a></div>Kittyhttp://www.blogger.com/profile/02778464501062156098noreply@blogger.com0tag:blogger.com,1999:blog-5275314887052749824.post-66711823933141009022012-05-21T11:36:00.000-07:002012-05-21T13:41:57.697-07:00The British Are Coming<div class="separator" style="clear: both; text-align: justify;">
<a href="http://2.bp.blogspot.com/-22Z74poozFg/T7qKxmaDp6I/AAAAAAAAAPE/NxjqbXk4Y-4/s1600/british_flag_c.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="130" src="http://2.bp.blogspot.com/-22Z74poozFg/T7qKxmaDp6I/AAAAAAAAAPE/NxjqbXk4Y-4/s200/british_flag_c.jpg" width="200" /></a>At the suggestion of a foreign friend, I thought it wise to write a post dedicated entirely to a showcasing a few of my favorite English musicians as they are surely soon to become part of yet another British invasion. With such songbird sirens as Duffy, Adele and -- most recently -- Ellie Goulding gaining fame from across the pond, I fear the men have been a bit overlooked. Allow me to enlighten you.</div>
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<strong>ED SHEERAN</strong></div>
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Born in West Yorkshire to Irish and English parents, Ed has been recording his own music since as early as 2005, releasing multiple independent EP's before being signed to Asylum/Atlantic about a year ago. "The A Team," the first single off of Ed's album entitled <em>+,</em> debuted at number 3 on the UK charts, becoming the best selling debut single of 2011. Happened to see Snow Patrol on tour this spring in the US? Then you may recognize Ed Sheeran as the band's opening act. Watch <em>The Vampire Diaries</em>? If so you may recognize his song "Give Me Love," as it was featured on an episode this past February. </div>
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If you need a sound reference, think Matisyahu meets Jason Mraz meets The Script. My recommendations are "The A Team," "Small Bump," "Drunk" and "Lego House" (this is where the Matisyahu comparison becomes relevant, by the way). View the official video for his newest single below:</div>
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<strong>JAMES VINCENT MCMORROW</strong><br />
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Okay, so James Vincent McMorrow isn't English -- he's Irish. But he spent time recording in London! Eh, close enough. </div>
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James spent years exploring his musicality as a rock drummer before taking a chance on singing/songwriting folk music. A move to London proved fruitless, forcing a self-imposed seclusion near his hometown in Ireland for a month, thus birthing his greatest creation, <em>Early in the Morning</em>. His songs exude the heart of Sufjan Stevens and the voice of Ray LaMontagne. Or, as my sister so eloquently stated when listening to his cover of "Higher Love," "he sounds like he's going to cry through the whole thing." That's a real man, baby. </div>
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My favorites, in addition to his covers of "Higher Love" and "Wicked Games," are the following:</div>
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"We Don't Eat"<br />
"If My Heart Should Somehow Stop"<br />
"If I Had a Boat"<br />
"Breaking Hearts" <br />
"Early in the Morning, I'll Come Calling"<br />
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